Publishing Design/Task 1
03/04/2023~15/05/2023 (Week 01~Week07)
Lectures:
Instructions:
Fig 3.1 Exercise 1:Text Formatting PDF
Fig 7.4 Grid Options PDF
Final Submission:
Henry Lim Chin Xin
0349490
Bachelor of Design (Hons) in Creative Media
Publishing Design/Task 1-Exercises
Lectures:
Lecture 01: Formats
Historical Formats of the book across time in different
civilizations around the world
Iran-Iraq=Mesopotamian civilizations
Egypt=Ancient Egyptian civilization
India-Pakistan-Afghanistan=Indus Valley civilization
China=Han Chinese civilization
Europe(Turkey &Beyond)=European civilization
Innovation almost always shadows technology. New technology creates
opportunity. If the technology has potency, it would have a cascading
effect on other areas of life.
Mesopotamian Civilizations
For Mesopotamia Denise Schmandt-Besserat (1995) contends in her
essay on the token system "Record Keeping Before Writing," that "it
is remarkable that the first writing system developed from a
counting technology."
The progression from simple and complex tokens to bullae set the
stage for the early form of pictographic writing on clay
tablets.
Indus Valley Civilizations
In the Indus River Valley Civilizations (Harappan & Mohenjodaro)
there is not much known about record keeping but we do know they had a
complex system. Their writing, cuneiform, was one of the earliest
systems of writing. They wrote records about their government,
religion, and trade. Cuneiform was written on soft clay tablets by
using sharp pointed tools.
Ancient Egyptian Civilizations
The scribes were the only people in ancient Egypt that could read
and write Hieroglyphics. The Egyptian scribes wrote on a special
type of paper called papyrus. In addition to writing on papyrus the
Egyptians also would write on the tomb walls.
The word papyrus refers to a thick type of paper made from the pith
of the papyrus plant (Cyperus papyrus).
Han Chinese Civilizations
Chinese characters in the early period are written in vertical
columns, so a thin strip of bamboo is ideal for a single column. To
create a longer document, two lines of thread link each bamboo strip
to its neighbor. The modern Chinese character for a book evolves
from a pictogram of bamboo strips threaded together.
An imperial court eunuch by the name of Cai Lun submitted a report
in 105 CE of a new substance.
The first printed book: Diamond Sutra 868 CE
The earliest known printed book in Chinese, from the end of the
Tang dynasty. Discovered in a cave at Dunhuang in 1899, it is a
precisely dated document. It is in a scroll format and using paper. Paper was invented in 179-41
BCE.
Chinese publishing: 10th - 11th century
Printing from wood blocks, as in the Diamond Sutra, is a laborious
process. Yet the Chinese printers work wonders. In the 10th and 11th
centuries all the Confucian classics are published for the use of
scholar officials, together with huge numbers of Buddhist and Daoist
works (amounting to around 5000 scrolls of each) and the complete
Standard Histories since the time of Sima Qian.
The carving of so many characters in reverse on wood blocks is an
enormous investment of labour, but the task is unavoidable until the
introduction of movable type. This innovation, once again, seems to
have been pioneered in China but achieved in Korea.
European Civilizations
Parchment was first invented in Turkey, 197-159BC, which later
spread too Europe. Parchment is made from animal hide. With papyrus
and bamboo one could make scrolls but with leather this was not
possible as it was to thick and heavy. Around 50 AD, Europeans
started making parchment books.
The use of paper would make it slow journey to west, from China to
Persia-Arab empires and eventually through Turkey vis-a-vis the
Ottoman empire to mainland Europe.
Paper becomes widely available in Europe during 1400-1500CE. The
ingredient to make paper changes until 1860s when wood pulp is first
used to print the Boston Weekly Journal.
While paper made its journey relatively late, the folding format
started to take a foot hold in 'the west' at the turn of the
country. First with wooden blocks with thread sewn to hold them
together and then with parchment and later with paper, where paper
was sewn, bound and glued together.
Lecture 02: History of Print
2nd - 8th century AD
The emperor of China commands, in AD 175, that the six main
classics of Confucianism carved in stone.
Confucian scholars eager to own these important texts simply lay
sheets of paper on the engraved slabs and rub all over it with
charcoal or graphite taking away a text in white letters on a black
ground.
Korean and Japan: AD 750-768
The invention of printing is a striking achievement of Buddhists in
east Asia. Korea takes the lead. The world's earliest known printed
document is a sutra printed on a single sheet of paper in Korea in
AD 750.
This is closely followed in Japan by a bold experiment in mass
circulation. In AD 768, in devoutly Buddhist Nara, the empress
commissions a huge edition of a lucky charm or prayer. It is said
that the project takes six years to complete and that the number of
copies printed, for distribution to pilgrims, is a million. Many
have survived.
The Hyakumanto Darani literally the One Million Pagodas &
Dharani Prayers, is a famous large-scale woodblock printing, the
earliest recorded uses of woodblock printing in Japan.
The first printed book: AD 868
The earliest known printed book is Chinese, from the end of the
Tang dynasty. Discovered in a cave at Dunhuang in 1899, it is a
precisely dated document which brings the circumstances of its
creation vividly to life.
It is a scroll, 16 feet and a foot high, formed of sheets of paper
glued together at their edges. The text is that of the Diamond
Sutra, and the first sheet in the scroll has an added distinction.
It is the world's first printed illustration, depicting an enthroned
Buddha surrounded by holy attendants.
Chinese publishing: 10th-11th century
Printing from wood blocks, as in the Diamond Sutra, is a
laborious process. Yet the Chinese printers work wonders. In
the 10th and 11th centuries all the Confucian classics are
published for the use of scholar officials, together with huge
numbers of Buddhist and Daoist works (amounting to around 5000
scrolls of each) and the complete Standard Histories since the
time of Sima Qian.
The carving of so many characters in reverse on wood blocks
is an enormous investment of labour, but the task is
unavoidable until the introduction of movable type. This
innovation, once again, seems to have been pioneered in China
but achieved in Korea.
Movable type: from the 11th century
Movable type (separate ready-made characters or letters which
can be arranged in the correct order for a particular text and
then reused) is a necessary step before printing can become an
efficient medium for disseminating information.
The concept is experimented with in China as early as the
11th century. But two considerations make the experiment
unpractical. One is that the Chinese script has so many
characters that type-casting and type-setting become too
complex. The other is that the Chinese printers cast their
characters in clay and then fire them as pottery, a substance
too fragile for the purpose.
Type foundry in Korea: c.1380
In the late 14th century, several decades before the earliest
printing in Europe, the Koreans establish a foundry to cast
movable type in bronze. Unlike earlier Chinese experiments
with pottery, bronze is sufficiently strong for repeated
printing, dismantling and resetting for a new text.
The Koreans at this time are using Chinese script, so they
have the problem of an unwieldy number of characters. They
solve this in 1443 by inventing their own national alphabet,
known as hangul. By one of the strange coincidences of
history, this is precisely the decade in which Gutenberg is
experimenting with movable type far away in Europe, which has
enjoyed the advantage of an alphabet for more than 2000
years.
Saints and playing cards: AD c.1400
In about 1400, more than six centuries after its invention in
the east, the technique of printing from wood blocks
introduced in Europe. As in the east, the images are printed
by the simple method of laying a piece of paper on a carved
and inked block and then rubbing its back to transfer the ink.
The main market is holy images for sale to pilgrims. Playing
cards are another early part of the western trade.
Later in the 15th century, technical advances are made in
Germany which rapidly transform printing from a cottage
industry to a cornerstone of western civilization.
Gutenberg & western printing: AD 1439 - 1457
The name of Gutenberg first appears, in connection of
printing, in a law case in Strasbourg in 1439. He is being
sued by two of Gutenberg's stock, describe a press and a
supply of metal type. It sounds as though he is already
capable of printing small items of text from movable type, and
it seems likely that he must have done so in Strasbourg. But
nothing from this period survives.
By the time he is next heard of in connection with printing,
he is in Mainz. He borrows 800 guilders in 1450 from Johann
Fust with his printing equipment as security. The resulting
story of Gutenberg and Fust is a sage in itself.
Gutenberg's great achievement in the story of printing has
several components. One is his development of printing press,
capable of applying a rapid but steady downward pressure. The
concept of the press is not new.
More significant are Gutenberg's skills with metal (his
original trade is that of a goldsmith). These enable him to
master the complex stages in the manufacture of individual
pieces of type, which involve crating a master copy of each
letter, devising the moulds in which multiple versions can be
cast, and developing a suitable alloy ( type metal) in
which to cast them.
All this skillful technology precedes the basic work of
printing - that of arranging the individual letters, aligned
and well spaced, in a form which will hold them firm and level
to transfer the ink evenly to the paper.
No date appears in the Gutenberg Bible (known technically as
the 42-line Bible), which was printed simultaneously on six
presses during the mid-1450s. But at least one copy is known
to have been completed, with its initial letters colored red
by hand, by 24 August 1456. The first dated book from these
same presses, in 1457 is even more impressive. Known as the
Mainz Psalter, it achieves outstanding color printing in its
two-color initial letters.
The rest is History!
Many inventions to improve on the printing press and its
quality was invented on modified over the years.
The industrial revolution brought in precision engineering
and the printing press was one that benefited
tremendously.
The World's Largest Book
The world's largest book stands upright, set in stone, in the
grounds of the Kuthodaw pagoda (kuthodaw, "royal merit") at
the foot of Mandalay Hill in Mandalay, Myanmar (Burma)."
Each stone tablet has its own roof and precious gem on top in
a small cave-like structure (Stupa), there are a total of 729
stupas and they are arranged around a central golden
pagoda.
Conclusion
Paper was invented in China 179-41 BCE. It is probably one of
the most important ingredients in the process of
printing.
Transfer was initially done via rubbing (stone to paper),
hence mass production was enabled. The earliest printed
document was in Korea, wood block printing in Korea &
Japan takes place around 750-768 CE, text carved into wooden
blocks. These were great achievements of the Buddhist
era.
The introduction of movable type was introduced in the
1000-1100 CE. This innovation was pioneered in China but
achieved in Korea (Diamond Sutra). In the late 1300-1399 CE,
several decades before the earliest printing in Europe (
Gutenberg's bible 1439), the Koreans establish a foundry to
cast movable type in bronze.
Lecture 03: Typo Redux
Typography
Typography is to a graphic designer, what oxygen is to a living
being. It is 'the' most important area in graphic design to master,
for you to acquit yourself with good standard.
Typography is the art of arranging and composing text, it is also a
medium for expression and most importantly communication. It plays a
central role in any design work.
In book design, needless to say that the understanding and sense
developed in the last two semesters in typography will play a crucial
role in the output.
Characters in a typeface
Small caps
Numerals
Fractions
Ligatures
Punctuations
Mathematical signs
Symbols
Non aligning figures
Lecture 04: The Grid
Lecture 05: Elements
Instructions:
Fig 2.1 Module Information Booklet
Exercise 1: Text Formatting
We are required to write or source 3000 words for our
books.
Below is the content:
Fig 3.1 Exercise 1:Text Formatting PDF
Exercise 2: Mock Up-Book Size
In this week, we made the book size with actual papers in
class.
The purpose of this exercise is decide the book size for our
book.
I tried three sizes which is
- W: 157mm, H: 225mm
- W: 180mm, H: 240mm
- W: 200mm, H: 250mm
And the final size I choose is W: 180mm, H: 240mm.
For the binding, I try something different from binding from
stapler, I used rubber bands. The image below is what I have
tried.
The effect of binding shown in image below is what I imitate
on.
Exercise 3: Signature Folding Systems (8+8=16)
In this exercise, our lecturer explains that books are made
from 16 pages and pages taht can be divided by 16, not pages
that are 35 pages or 71 pages.
After the first try of the paper, we required to take
another piece of paper and do it again but with trims and
binding.
Exercise 4: Classical Grid Structure
We are instructed by our lecturer to follow the pre-recorded
video of Van De Graff and just do it in InDesign.
Exercise 5: Determining Grids
In this exercise, we are required to make three grid options
for our book.
Fig 7.4 Grid Options PDF
Exercise 6: Form & Movement Exercises (Thumbnail)
1 Color
2 Colors
2 Colors + Image
Color + Image + Text
Final Submission:
Text Formatting
Fig 9.7 Grid Options PDF
Fig 9.1 Text Formatting PDF
Mock-up making
Final Book Size: 180mm x 240mm
Signature Folding Systems (8+8=16)
Classical Grid Structure
Determining Grids
Fig 9.7 Grid Options PDF
Form & Movement Exercises (Thumbnail)
Feedback:
- the number of words may be a bit less for four chapter
- the form and movement is about how you present the work from page to page
- the coloured part is just a placement thing, not a place to put the images
Reflection:
In these exercise, I learned that a basic production of book.
Further Reading:






























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